Heirlooms from my father’s family wrapped in brown paper packages
with blue ink and foreign postmarks faded by a prairie rain burst
will not be delivered to the cream house with green trim and gable roof
where I live. The house belongs to my husband in name only —
that’s what he tells me. But I am relieved by my own perceived lack of responsibility
to stone and wood, glass and metal, to a past that will never arrive
neatly parceled without warning on the doorstep in bundles survivors always carry.
Steamer trunks and shabby suitcases —
the essentials – linen, utensils, wool sweaters –
the familiar possessions – family photos and violins, clocks, and silver candlesticks.
In a movie, the refugee husband tells his wife, “You must choose — the lamp or the vase,” tossing the sacrificed object over his shoulder
in the farmer’s field. Is my grandmother’s engagement ring still buried in the mud?
Maybe another woman wore the ring without guilt, passing on my inheritance
to her own daughter, sidestepping my anonymous birth like a salver of food
handed over the heads of guests at a king’s banquet. I will never inherit
My mother wears her wedding band with the sapphire ring he gave her
on Christmas morning. Her gift to him that year: a hand-carved music box
played Lara’s Theme to the Ukrainian couple nestled in a winter sleigh,
the woman’s pink cheeks and bow smile, the man’s firm hands on the reins.
It went unnoticed. Each note collapsed under the weight of my father’s memory.
The war made objects a burden, you see. His family’s land, home, brother,
freedom, and all taken, he came to America to see if the streets were paved
with gold. Coins buried deep in his shaving stick, a watch, his glasses —
my father carried little. He hid photos of his parents across the continents between the pages
of his prayer book I did not inherit. After his death,
his stony hands clasped the burning scripture.
This, the marker of his life, this, the remainder of his death I cannot hold between my fingers.
The only artifact I still want.
The inheritance I carry in my suitcase does not let me choose between the lamp and the vase
will never compete with the touch of something solid.
This is not the loneliness of my father. I believe the souls of Ukrainians have been sad for centuries. This loneliness is mine to manage.
The choice has always been mine to make. In empty spaces, my voice
bounces against blank walls. Driving past old apartments, I leave
the address, the phone number, the streets behind easily. Because the choice
has always been mine to make between my Barbies and Beatrix Potter books
I am not like my mother. Not like my father in the war, hanging on to the things I cannot hold.
In my red, red heart, do I ask too much from the world? The small desires that get me
up in the morning, but the large ones make me dangerous and holy, carnal, and blameless.
I tell the truth. I want a life that is not neutral.
This is my inheritance. Silent as snow falling at midnight on Christmas Eve in London.
Long ago, I learned that verse is the solace for whom bread is not enough.
I can choose between the lamp and the vase without remorse.
I’m told that I have always been callous
with my belongings, but this is a lie. A child born to parents who believe
that bread is enough carries the burden of choosing
between sacrifice and desire without punishment. I am on the run —
a fugitive, still running from
https://www.annasochocky.com/wp-content/uploads/2020/02/service-pnp-cph-3a10000-3a17000-3a17700-3a17784r.jpeg640514Anna Sochockyhttps://www.annasochocky.com/wp-content/uploads/2020/01/Anna-Sochocky-Logo.pngAnna Sochocky2020-02-14 15:28:522021-09-01 14:18:05A past that never arrives
Awoken with a start from a restless sleep, I grope not for my watch or the battery-operated alarm clock. I do not reach for my smudged glasses, either, but instead fumble for the switch on the floor to turn on the Christmas tree lights. The miniature lights twinkle. The early, frigid darkness sparkles like counterfeit jewels. Tears dry then moisten as another surge of recognition consumes me.
My mother is going to die.
Save the three days I slept in the ICU waiting room, still dressed in the suit I wore when the call from the emergency room about my mother’s hemorrhagic stroke came, this sofa has been my bed. Each evening I pull the cushions off the sofa bed in the living room. I stack the pillows on a dining room chair pushed back from the galley kitchen, piling worn blankets and duvets and stray clothing on the lumpy mattress.
I read by the light of Christmas tree lights. The lights glow day and night, trying to stave off a sense of impending doom boiling in the pit of my empty stomach. Against the winter darkness, the lights twinkle and sparkle without devotion. Still, without the soft glow and the lights catching the blushing ornaments, I cannot drift off, even if it’s only for a single hour or two.
Drained of sleep and faith, I drift to the living room window and tentatively reach out to touch the frozen glass. Last night, the wind blew in from the north, squealing and moaning, creaking and wailing like me. Snow tendrils creep across the roads. The slender cobwebs braid an icy lair. More than a foot of fresh snow has fallen in the night. My mother’s apartment building has lived for over thirty years is incarcerated in an ice prison. The sky, still pregnant with winter, belies the tempered blizzard, which will likely rage on for a few more hours.
Though a snowplow breaks the path of winter, pushing back the night and the snow’s accumulation, I still wonder if it will be possible to drive to the hospital once the anemic sun rises.
I wander into the galley kitchen. Turn on the electric kettle. Toss a tea bag in a mug. Collect the cream a few days past its expiration date from the refrigerator. Wait. When the pot boils, I pour the water into the cup, watching the teabag bleed ginger brown against the white bone china. Absently, I press and push against the pouch urging it to steep a little faster—lists cascade across my mind.
Setting the steaming mug on the dining room table, I push back the week’s mail: bills that need to be paid, Letters to be answered. Christmas cards have arrived from people who are oblivious to my mother’s condition. Pulling my ‘master’ list of To-Dos, I grasp a pen and start adding tasks to a clean page. Visit the bank manager. Make an appointment with the investment administrator. Buy multiple expandable files and a label maker. Return a page worth of phone calls. Buy more international phone cards.
Day Nine: another day of shuttling between my mother’s bedside and hunting down elusive doctors in the maze of hospital hallways. Another day of waiting for updates about my mother’s condition that are few and far between. Her medical situation is not improving, nor is it markedly shifting into the positive column either. Though the bleed in her head shows a mild retraction, its absorption into her brain matter has stalled.
I am lost in the perfunctory world of list-making when the phone rings. I glance at the mantel clock on the piano – 6:20 a.m. The shrill ring of the telephone at this time of the day does not unnerve me. The phone rings until after midnight most evenings with daily calls from or to England or Australia, often commencing by 5:30 a.m. I am juggling four time zones leaving me stretched like a taut drum around the world’s circumference. I pick up the telephone receiver and mumble a distracted hello.
“Is this Anna So Coc E?” The voice is unfamiliar. When I do not answer immediately, the hesitant voice repeats the question—my mind’s roll-a-dex grinds. No accent.
“Yes. I am Anna Sochocky,” I respond, crisply refusing to allow a tone of gloom seeps into my voice. Still, my hands begin to shake like a person struck down by tremors. I put the pen down and wait.
“Ms. So Coc E. This is a member of the nursing staff on your mother’s ward. Your mother went into respiratory arrest at six a.m. We have been executing chest compressions for twenty minutes, but your mother is unresponsive. Would you like us to continue with chest compressions and intubate her,” the anonymous nurse’s question hangs by a thread in the silence? The nurse persists. “Did you sign a hospital medical directive? Does your mother have a resuscitation order,” the nurse fires off companion questions.
My mother is dying. My mother is dead. For a few seconds, I cannot speak, do not speak. I stare out the window into the black morning. The wind grows fierce. The invisible squall’s direction changes and tosses the snow into somersaults. I have grieved for nine days. From the moment I walked into the ICU unit, I knew that my mother was gone. Why does death always arrive in the darkest part of the night or early morning? I gaze into the blizzard wind.
My mother is dying. My mother is dead.
I return to the present with a vengeance. “I gave you copies of the medical power of attorney stating that my mother did not want extraordinary measures taken. I signed the medical directive that you gave me three days ago, specifically not to do any chest compressions or intubation. Don’t you have these instructions noted on her chart or in a file somewhere?”
I march around the tiny living room, desperate to be focused through the rapid onset of tears, tripping over the corner legs of the unmade sofa bed, looking for my clothes, my shoes, my watch, my heart.
“Stop compressions now. DO NOT intubate my mother. Mom wouldn’t want any of this! You’ve probably broken her ribs pounding on her chest! Stop breaking her! I’ll be at the hospital as soon as I can be.”
“Ok. We will stop all resuscitative efforts,” confirming my answer. I am sorry,” the nurse adds before the receiver’s tone clicks in my ear.
Half-dressed and stunned, I dial Janet’s number. When she answers, I cannot speak. I cannot breathe. I must breathe.
“What’s happened,” Janet whispers.
“She’s gone, Janet. Mom is gone.” Leaping to my feet and weaving around the bed, the chairs, the loss, I race to the kitchen sink and try to spit, expecting to find acidic bile in the basin. My stomach is empty. I emit dry heaves instead. I nod mutely into the phone, listening to panicked noises on the other end of the line. A chair’s legs scrape across the floor. Boots are selected and quickly discarded. Affronted grunts from Janet’s two dogs register their displeasure with being disturbed in the pre-dawn dark.
“I’ll be there as soon as I can. It will take me a few minutes to warm up the truck, and it’s snowing hard again, but I’ll be there as soon as I can. I am so sorry. We’ll get through this together, ok,” but Janet’s weak declaration dissolves amidst choking sobs on both ends of the line.
With nothing left to say, I hang up the phone and aimlessly begin to throw the pillows off the sofa bed and fold blankets. Halfway through pushing the mattress into the hidden compartment, the frame refuses to collapse. The sofa bed is stuck. I am stuck, too.
Do I get on the phone or finish getting dressed? I crumble to the carpet and lean against the bent steel frame. Who do I call next? My husband, of course, but should I call the funeral home before we get to the hospital? Will anyone even answer the phone at this time of day? Should I post a notice on the website that I have been using to update people about Mom’s condition?
The tree lights fuse. The ornaments bleed color into a watery pool. I cannot breathe. I must breathe. Struggling to my feet, I shove the bed violently into place and reconstruct the sofa, cramming pillows onto the frame and fluffing the accent ones into place. The phone rings a second time.
Believing it is Janet to tell me her truck has skidded into a snowdrift, I answer the phone with a question – are you stuck? The person on the other end of the line is not Janet, but the hospital again tells me that one of the nurses found my mother’s pulse signal of life is thready, but there is a pulse.
My mother is being transported to the ICU. How can this be? Is she alive after all? My mother’s still alive.
I hang up the phone and toss the receiver onto the sofa. Wriggling into another sweater, I am zipping up my boots when the phone rings a third time. Once again, an anonymous nurse asks me to confirm my name and follows with an apology. “We are sorry, but we were mistaken. Your mother does not have a pulse. Time of death six-thirty.”
By now, any tears of mine have evaporated. Dulled and confused by the hospital’s conflicting messages, I scream without a hint of grace into the phone receiver. “What the hell are you people doing? You violate my mother’s wishes and ignore or cannot FIND the directive I signed, the PDA you asked me to bring to the hospital. She’s dead. She’s alive. Now she’s dead. Are you sure this time, or do you want to check again? Leave my mother alone, for Christ’s sake. You have done more than enough.”
Racing on the edge of madness, I slam the receiver down on its cradle.
After nine days of ambiguity, my mother is dead, and I have moved up a generation.
https://www.annasochocky.com/wp-content/uploads/2020/02/6479065_fbs.jpg200200Anna Sochockyhttps://www.annasochocky.com/wp-content/uploads/2020/01/Anna-Sochocky-Logo.pngAnna Sochocky2020-02-14 15:27:272021-09-01 14:19:58Time of death: six thirty a.m.
Only dates and figures box suffering between worn covers.
In truth, those who survive remember everything:
those who wept, those with faith, those bearing false witness,
those who refuse to forget. Inventories are taken.
These are the dead.
From war. A family walks the earth to find an unmarked grave.
From hunger. Ruins on a blistered land shiver under a dawning sky.
From grief. Steam rises from a son’s body after a spray of bullets.
Every town, every farm hides something: an anonymous death, a mass killing, ashes from torched houses.
Nothing is forgotten; little is forgiven.
After war’s spasms, only those things eternal remain –
the smell of bread baking in the hearth,
family photographs wrinkled by years of sweat and doubt,
the soft light of a candle on a wooden table in winter
….and all of childhood.
https://www.annasochocky.com/wp-content/uploads/2020/04/img023.jpg10141452Anna Sochockyhttps://www.annasochocky.com/wp-content/uploads/2020/01/Anna-Sochocky-Logo.pngAnna Sochocky2020-02-14 15:25:522020-11-30 15:25:17The Inventory of War
I reach deep into the freezer on a crusade to vilify the starchy culprits, violently casting everything I find to the floor. Stiff hamburger buns skid across the linoleum. Two slices of pita bread soar over my shoulder. Half-eaten loaves of focaccia and olive bread come to an unceremonious halt at the edge of the stove. Why can’t I ever manage to finish any of this bread? I dig like a wild animal into the farthest corner of the freezer only to find one orphan bun wedged against a package of bread dough. One frozen bun and I am saving this because I am afraid that the grocery store will stop making buns? Why do I have this dough? When was the last time I made bread? When have I ever made bread? I hurl the dough to the floor, but it hits my barefoot instead. The icy air numbs every inch of my sunburned arm to my shoulder. I open my hand to find four tiny ovals of bruschetta. Why four? I scream, hurling the pieces across the kitchen—the bag arcs over the counter before landing in the dining room.
The graceless exit of the bruschetta temporarily suspends my tirade, and I burst into tears. Touching my hand to my chest, I stand sobbing into the open freezer. My breathing shallow, my hands shaking, I whisper, I am so sorry, Daddy. I am so, so sorry. Mournfully, I stare around my kitchen, gazing at the consequences of my tantrum. I retrieve each piece of bread with trembling hands and gently place each bundle back in the freezer. As if my fingers hold not bread but an expensive crystal, I rescue the tiny bruschetta pieces from the dining room and collect the pita bread and the solitary bun.
Why does bread continue to define me, haunt me, disgrace me? Will my father’s words stung me with a shame I still carry ever waste away? I wait for the final wave of my storm to pass. On the floor, no evidence of my careless anger remains.
I did not want to write about bread today. Yet, bread has always been the leading actor in my history, a fixture in my memory. What did my father value like gold? Bread. What did my mother bake for my father on days when the winter air was thirty below zero or on sizzling summer mornings when the heat and humidity suffocated the kitchen? Bread. What kept my father alive in the Nazi concentration camps? Bread, of course.
Bread was not only my father’s obsession; it was my terror, too. Bread muscled its way to life’s center stage in my family, awakening memory like a dangerous spell ingrained in every meal and embedded in the flour and yeast of each slice. Persistent shadows of my family dinner table resurface without warning, my mind replaying treacherous nights when dinner became a bleak and perfunctory affair, nights that my parents and I revisited each day like a penance for our sins, nights that I cannot expunge from my memory.
I listen closely to the past and hear the chafing sound of my father’s spoon scraping the sides of his glass bowl filled with pallid white rice. Scrape, scrape, silence, as he raises his spoon to his mouth. Scrape, scrape, another pause until the silver spoon grazes the glass again. My mother and I stare at our plates, pushing tender meat and Brussels sprouts onto our forks with our knives. Cut a piece of meat, divide the spherical sprout, and maybe add a dash of potato or carrot, our rhythm shifts with each hesitant bite. The pinched expression on my mother’s hurt face, so hurt by my father’s refusal to eat the meal she carefully prepared, stifles my urge to eat. I fix my eyes on my plate, knowing that my father’s anger will be the fourth, uninvited guest at our table again tonight.
Serhij Sochocky was a prisoner of war in Austria and Italy during World War II.
“You are not in the camps anymore, Serhij. You have meat and vegetables. Why do you insist on eating rice,” my mother pleads.“I have to stay fit. Too many doctors are overweight, and that is a terrible example for my patients,” my father replies, dismissing her question as if it were a fly.
“But you are so lean and fit, Serhij. Do you remember when we worked together in England, you ate so robustly,” my mother soothes, refusing to relinquish the argument.
“Stella enough. I do not want to talk about it anymore. Besides, I was very overweight when we worked together, don’t you remember,” my father snaps. “Anna, what are you doing? Eat your dinner! Now!”
I’m not too fond of Brussels sprouts, but I don’t want my father to be angry with me, so I maneuver the tiny cabbages around in a circle before taking a bite and swallowing hard. Most evenings, I manage to eat the sprouts but cannot bear the strips of gristle that I carefully remove from the meat. The thought of trying to chew the fat tightens my stomach into an iron ball.
My father’s gaze, persistent and angry, scorch my already flushed cheeks. His attention turned to me, and his hand reached out to yank my chair closer to my plate. I brace myself, waiting for his voice to detonate.
“Anna! Stop it! Stop pushing your food around your plate,” he growls, his anger rapidly rising before coming to a rolling boil. “Anna! Aah! My daughter is selfish. She has food to eat, and still, she is selfish,” my father bellows.
“Oh, Anna, please eat, darling,” my mother begs. She stops eating and waits. My mother’s eyes, weary from my father’s anger, weary from night after night of my father’s refusals to eat anything but rice, fill not with tears but with resignation as deep as Hades.
Because I know what will come next, I push a piece of the pork chop fat onto my fork quickly and press a sprout on end to mask the taste. I chew furiously, trying to swallow, but the gristle will not break apart. I chew faster and faster, but still, the fat refuses to slide down my throat. The texture of the fat is so vile. When my eyes start to water, I reach for my glass of milk.
The kitchen falls silent.
“When I was in the concentration camps, Anna, do you know what I had to eat,” my father hisses.
I nod and swallow hard. This is one of the few stories from the war my father tells, a story he repeats in tune with his anger.
“A stale piece of bread and a handful of grapes. We had to make soup from the grass. Grass soup. You are a selfish little girl. Here you have meat, but you refuse to finish it.”
“I’m sorry, Daddy. I am full. I cannot finish.”
“You will sit at this table – alone – until you finish your dinner, Anna,” my father shouts as he shoves his chair back, leaving the table in a fit of anger I know will last for days. I sit staring at my plate until the trees melt into the darkness.
So many years after the war, I think my father starved himself with intention. A bowl of rice was his staple at dinner, but he foraged the cupboards for bread and cookies after dinner. In the mornings, when my mother came into the kitchen, she found the deflated skin of a banana that my father had eaten in the middle of the night.
Did my father think that he did not deserve to eat? Did he not trust that the refrigerator would be well-stocked when he opened it? Or did his diet obsession camouflage his conviction that no one would ever control him again by starving his body — a tenuous shield against the ambiguity of a future he never learned to trust?
Maybe my father was right. I am selfish. Images of sprouts and gristle, the bread once littered across my kitchen floor, pulls me under, deep into a familiar eddy of guilt.
https://www.annasochocky.com/wp-content/uploads/2020/02/image29-scaled.jpg14392560Anna Sochockyhttps://www.annasochocky.com/wp-content/uploads/2020/01/Anna-Sochocky-Logo.pngAnna Sochocky2020-02-14 15:23:582021-07-29 12:38:32The politics of bread